Sunday, September 30, 2007

TUMS = Time to Unload My Stuff !

Check it out... How appropriate for an anti-G.A.S. discussion... Jon's Ramblings

Speaking of TUMS, I'm listing the following gear on e-bay tonight... gotta unload a few things to pay for the guitar & effects purchases of the past few weeks:
  • Gibson Firebird V - SOLD!
  • Lexicon MPX-G2 FX w/ Lexicon MPX-R1 MIDI footcontroller - SOLD!
  • ‘06 Paul Reed Smith Singlecut Standard Satin - SOLD!
  • Rickenbacker 360/12 12-string - SOLD!
  • Voodoo Lab Sparkle Drive overdrive pedal - SOLD!

--B

Saturday, September 29, 2007

New guitar - Gibson Firebird V Zebrawood

Today's new arrival... the Gibson Firebird V Zebrawood (guitar of the week #12, 1 of 400) that I bought over 3 weeks ago...



Overall, it's similar in specs to the standard Firebird V I already have, with a few exceptions: antique inlays & binding, black pickguard, matte finish, and (obviously) zebrawood wings. So I didn't expect it to be drastically different than the standard Firebird... it's about the same weight (thought it may be lighter due to the matte finish--perhaps zebrawood is more dense than mahogany?), has a similar feel (though the matte finish on the neck is always a nice touch) and a slightly brighter tone. Net, it plays & sounds great like the standard Firebird but has a far more unique look.

Also worthy of note (because this is a blog about G.A.S., right?), I managed to pick up another Gibson Guitar of the Week model... this one is the Gibson Explorer Pro from week #13. Hopefully it will be here by the end of the week, so (of course) there will be a write-up and pics as soon as it arrives.

--B

Project - replacing pickups in a Heritage H-535 semi-hollowbody

High on the list of "not-incredibly-high-priority projects to do when I get a chance" was looking into new pickups for my Heritage H-535 semihollowbody... I'd never been blown away by the stock Schaller pickups (they felt a bit hot and muddy to me, at least for a semihollowbody). Given my general obsession with PRSi and more recently with Gibsons, I briefly considered putting in a set of McCarty Archtop pickups or '57 Classics. After doing a bit more research, I ended up going with a Seymour Duncan Jazz/Pearly Gates pair, which I first experienced in a Jackson Soloist Superlight a few years back.

Well, I managed to find the pickups pretty quickly, they arrived in record time, then when I sat down to re-wire the guitar I realized I also needed new mounting rings (the Schaller pickups mounted on 4 screws while the Duncans mounted on only 2), so that set me back a few days while I was waiting for the proper mounting rings to arrive. Last night I finally had the chance to sit down and do the work, and here's the end result...



One cool trick I picked up on the Seymour Duncan forums... Since hollowbodies typically don't have rear access panels to work on the electronics, it can be tricky to install new pickups. Basically you need to unscrew the pots, fish the pots out through the f-hole, do the soldering work, then get the pots back into place. Before unscrewing the pots, I put a piece of air tubing from my aquarium over the shaft... this gave me an easy way to "steer" the pot towards the f-hole on the way out of the guitar and pull the pot back into place once the soldering was complete. It was also a good opportunity to fix an annoyance I had with the H-535... the 2-vol/2-tone/3-way was upside-down from the standard Gibson Les Paul/SG/Firebird setup, so I was always going for the wrong knobs mid-song on the Heritage.

Overall, I really dig the tone of the new pickups... The Jazz in the neck sounds "fat", is warm but with incredible articulation. The Pearly Gates in the bridge is bright & crunchy, great for Texas-style blues and classic rock. Some pairs of humbuckers just don't sound all that great together, but the Jazz & Pearly Gates make a great pair--you get the best of both (warm + edgy) in the middle position--and the dual volume & tone pots allow for all sorts of tone shaping.

I forgot about how great Duncans generally sound plugged straight into the front of a tube amp... kinda makes me want to try swapping out the pickups in the Les Paul for a set of Alnico II's or try the 59/JB setup in the SG.

--B

Thursday, September 27, 2007

New guitar - Carvin DC120 12-string electric

Ever since I picked up the Ric 360/12 last month, it's gotten relatively low usage since the narrow neck's so hard to play precisely, even after setting it up for lower action and trying a couple drop (down 1/2 step, down 1 step) tunings. After doing a few Google searches for "electric 12 string," I found a lot of buzz about the PRS Custom 22-12 (been there, done that) and a bit of buzz about the Carvin DC120. Interestingly enough, I could get a new (custom) DC120 for the same price I payed for the used Ric; of course, a used DC120 was far less than that. Given how much (or rather how little) I expect to play electric 12-string, the DC120 had the right price. And the stock features--American made, neck-through construction, Sperzel tuners, versatile electronics package--almost made the DC120 look too good to be true.

As always, I managed to hook up a deal on a practically new (read: used) DC120 in for about half the price of a new one. It's pretty basic from a visual standpoint with the classic white finish, black hardware, and pearl block inlays on the ebony fretboard. But there are a few areas where the DC120 really shines...

Feel. For an electric 12-string with standard tuning, it plays almost like a 6-string. The strings are spaced far enough apart at the nut for easy chording and at the bridge for easy picking, but not so far apart as to make the fretboard obnoxiously wide.

Tuning. The combination of Sperzel locking tuners and the graphite nut keeps the guitar in tune incredibly well. As a bonus, the bridge has 12 saddles so intonation can be set for each string (vs pairs on some electric 12's).

Tone. Saving the best for last... the stock DC120 has one of the most versatile electronics packages I've ever played. Has the standard electronics (2 humbuckers, volume pot, passive tone pot, 3-way switch) then adds the following: dual coil-spilt switches, phase switch, and dual (hi/lo) active tone pots. There are tons of extremely useful sounds here... with so many options, it's hard to imagine not being able to dial a specific tone in.

So all in all, a killer guitar at a great price... definitely a lot more playable & versatile than the Ric, and has a lot of the charm of the PRS for 1/4 of the price. I can't wait to put the DC120 to use in the studio! It would definitely encourage me to check out other Carvin's in the future.

Oh yeah, it wouldn't be a proper post if it didn't have a couple of pics...



--B

Saturday, September 22, 2007

Goodbye, rack...

About a week ago I mentioned I was looking to downsize my rack into a simpler, pedal-baaed setup. Well, a couple new pedals arrived this week, and here are my first impressions...

TC Electronic Nova Delay

If you are a certified delay junkie and only have room/budget for one delay pedal, this is the one... has over 2 seconds of delay (2.290 seconds to be exact--the true TC fans will understand why), ranges from digitally pristine to warm & fuzzy, even includes options like slapback, reverse delay, ping pong, and dynamic (ducked) delay. Plus, it has 9 user presets, stereo ins/outs, and tap tempo. My biggest gripe... it requires a special power supply (won't run off of my Powerall).

The overall assessment... it's a sweet pedal, but has more delay options than I really need. After spending about an hour playing with it, I had a killer analog-sounding dynamic delay preset for guitar solos. After a bit more tweaking, though, I started to realize how little delay I tend to use in my playing... I'm much more of a modulation person...

Damage Control Glass Nexus

Um, one word to describe the Glass Nexus... lemme think... oh yeah, it's genius. All the effects (modulations, delay, chorus) sound great. It's got pure tone, plenty of headroom, no funky digital artifacts, the convenience of a floor-based processor, 8 user presets, stereo ins/outs, etc. Most interesting perhaps is the interface... no menus, no LCD's, just a handful of knobs and a few lights. The lights are intelligent, though... the color indicates whether presets/effects are engaged or bypassed, the brightness indicates the mix level, and the flashing speed indicates either the delay time or modulation rate. At first it struck me as odd to not be able to dial in a precise 300ms delay or 1.2Hz tremolo, but the lights convey instant status of several parameters at once and should be visible from across a stage.

The Glass Nexus is definitely a keeper. Harder to say for sure on the Nova... while it sounds great, the Glass Nexus' delay capabilities should be good enough for my needs. So I've decided to send the TC back and pocket the money, especialy since there is barely enough room on my old pedalboard for both the Nova and Glass Nexus.

The current signal flow is:

Axess BS2 --> Peterson StroboStomp --> Fulltone Clyde Deluxe --> Voodoo Lab Sparkle Drive --> Carl Martin compressor --> Damage Control Glass Nexus --> amp input

And here's the current picture:



Still debating whether to add an ISP Decimator or EB volume pedal, though it may be challenging to fit either of those on the board as well. Probably best to keep it as simple as possible for the time being and later add one or both of those pedals in if the need really materializes.

--B

Monday, September 17, 2007

Lotsa new guitar pictures...

Took a little time the other night to take up-to-date pics of all my guitars... took advantage of the wall-mounted holders and a tripod to make the pictures a bit more consistent.

Will try to keep this page up-to-date with new additions, sales, etc. in the coming months.

--B

Electric guitars:

Carvin DC120 12-string


Casio MG-510 MIDI guitar


Ernie Ball Music Man John Petrucci 7-string


G&L ASAT Classic


G&L ASAT Special Deluxe


G&L ASAT Z-3 Semi-hollow


G&L Legacy


G&L S-500 Deluxe


Gibson Firebird Non-Reverse


Gretsch G6120-1959 Chet Atkins hollowbody


Heritage H-535 semi-hollowbody


'00 Paul Reed Smith Custom 22


‘02 Paul Reed Smith Custom 22 Semi-hollowbody

Paul Reed Smith Custom 22 Soapbar


‘98 Paul Reed Smith Custom 24 violin amber burst


‘02 Paul Reed Smith Custom 24 whale blue

Paul Reed Smith DC 22 Limited Edition


Paul Reed Smith DGT


'07 Paul Reed Smith McCarty Korina


‘01 Paul Reed Smith McCarty Rosewood


‘98 Paul Reed Smith McCarty Soapbar


'07 Paul Reed Smith Mira


‘01 Paul Reed Smith Singlecut


'06 Paul Reed Smith Singlecut Satin Trem

Paul Reed Smith Singlecut Standard Satin


'03 Paul Reed Smith Standard 24


Paul Reed Smith Starla


Paul Reed Smith Sunburst 245


Peavey Power Slide


Schecter USA California Custom Sunset 7-string


Voodoo Guitar Works custom archtop

Acoustic instruments:


Breedlove Pro C25/CR acoustic-electric


Dean Backwoods 6-string banjo


Dobro Hound Dog round neck resonator


Gibson Country Western model


Guild DC5E-NT True American acoustic-electric


Guild F47M-CE mini-jumbo acoustic-electric


Silver Creek SC3EL acoustic-electric violin


Takamine EF-385 12-string acoustic-electric

Basses:

G&L Tribute L-2500 5-string


Yamaha RBX800AF fretless

Gear sold or traded:


Alvarez 4280 banjo - sold


Danelectro Dead-On '67 Baritone - sold


Danelectro 56-U3 - sold


Ernie Ball Music Man Steve Morse - sold


G&L ASAT 25th Anniversary - sold


G&L ASAT Classic Bluesboy Semi-hollow - sold


G&L ASAT Deluxe - sold


G&L ASAT Semi-hollow - sold


G&L ASAT Special - sold


G&L Comanche - sold


G&L Legacy Deluxe - sold


G&L Legacy Special - sold



G&L Legacy Standard - sold


G&L Legacy Standard - sold


Gibson Explorer Pro - sold


Gibson Firebird V - sold


Gibson Firebird V Zebrawood - sold


Gibson Les Paul Classic Antique Artist Series - sold


Gibson Les Paul Standard Faded - sold


Gibson SG Standard Silverburst - sold


Hamer Eclipse


Ibanez 540R-LTD



Paul Reed Smith 305 - sold


Paul Reed Smith 513 Mahogany - sold


‘95 Paul Reed Smith Custom 24 grey black - sold


‘97 Paul Reed Smith Custom 24 cherry sunburst - sold


'07 Paul Reed Smith SC 250 - sold


Paul Reed Smith SC 250 - sold


‘06 Paul Reed Smith Singlecut Standard Satin - sold


Rickenbacker 360/12 12-string - sold


Taylor Solidbody Classic - sold